Origin Infinite is the unifying framework for the physical works of JHH. It brings together objects, textiles, sculptures, and spatial systems that emerge from a single generative origin. All works are derived from SPACE MUSIC, where data and time are transformed into pattern and form. Material, scale, and application remain open. The inner logic remains constant. Origin Infinite speaks through coherence rather than style. Each work is a precise manifestation within a continuous system. A quiet luxury of structure, continuity, and consequence.

Origin Infinite sculptures are physical expressions of generative systems. They emerge from SPACE MUSIC, where data and time are translated into spatial patterns. Each work is a crystallized moment within a continuous process, not an isolated object. Form follows transformation. Pattern becomes structure. Material and scale remain open, yet the inner logic is constant. The sculptures speak quietly, through coherence rather than gesture. They embody precision, restraint, and permanence. Within JHH, they anchor abstract systems in physical reality.

Up to 2017, the office operated as a Zurich-based architectural practice with a primary focus on housing and public buildings, pursuing precise, site-specific concepts translated into material and constructive quality. Its work was shaped by a holistic, interdisciplinary approach, particularly through a sustained engagement with visual art and music, which generated both commissioned projects and independent research. Since 1998, this trajectory led to the development and patenting of tools for translating musical compositions into spatial structures, resulting in exhibitions, built projects, international lectures, and a TEDx Zurich presentation, alongside teaching and research at ETH Zurich in digital fabrication. During this period, the office also worked internationally and contributed to non-profit projects, including the realization of a school and a bakery in Senegal.

Narrative Landscapes translate time, memory, and data into spatial narratives. They emerge from SPACE MUSIC, where large data structures are transformed into landscapes of pattern and sequence. Past and future coexist as layered structures. Geography becomes temporal. Landscape becomes a carrier of information. Each work is not a depiction, but a reading. Material, scale, and medium remain open, while the underlying logic remains constant. Narrative Landscapes operate between abstraction and place, offering orientation without prescription. Within JHH, they form the spatial extension of generative thinking.

Origin Infinite Elements are architectural and spatial components derived from generative systems. They emerge from SPACE MUSIC, where data and time are translated into layered patterns and structural order. Elements may function as façade systems, wall components, fences, installations, or time-based objects. Movement, depth, and sequence are integral. Multiple patterns are often superimposed or arranged in layers, allowing transformation through displacement, sliding, or concealment. Material and scale remain open. Each element operates between utility and presence. Within JHH, OI Elements extend generative logic into inhabitable, performative space.

Origin Infinite textiles translate generative patterns into material surfaces. Derived from SPACE MUSIC, data and time become rhythm, repetition, and structure. Textile is treated as a spatial medium, not decoration. Each piece is a state within a continuous system. Scale, application, and material remain fluid. Patterns are not applied, but resolved through process. The result is quiet precision and tactile clarity. Within JHH, textiles extend the same inner logic onto the body and into space.